Namtan, Dr. Taengkwa, and Oat are a hotline team members and close friends. They offer mental health support, yet each is barely surviving the love storm raining down day after day, taking them to the brink of emotional collapse.

A man and a woman who is only given so much time to live fall in love and resolves heart aching love into a bright and cheerful one.

Hong Kong movie

Feast of the Gods is a 2012 South Korean television series, starring Sung Yu-ri, Seo Hyun-jin, Joo Sang-wook and Lee Sang-woo. The series follows the fate of two girls whose identities were switched and later become rivaling chefs of traditional royal cuisine. It aired on MBC from February 4 to May 20, 2012 on Saturdays and Sundays at 21:50 for 32 episodes.

The story centers on a high school girl named Tamahi, who encounters strange creatures while navigating a gigantic apartment building.

Feast of the Uninvited (also known as Fees van die Ongenooides) is a South African period drama miniseries created by PG du Plessis and set during the Boer War which focuses on the lives of those who had to endure and suffer through it. The war became the ultimate test of who they really were for Captain Brooks, Harry the Welsh miner, the wealthy Van Wyk family and people like Daantjie van Wyk and his beautiful wife, Magrieta.

Drama about Aleksandra Avramovna Derevskaya (1902-1959), who, between the two wars - the Civil and Great Patriotic War, raised 48 orphan children of different nationalities. After her death, each birthday, her large family gathers at the table, to preserve the tradition of serving baked potatoes, which was a favorite dish of the household head.

A man becomes haunted by his past and is presented with a mysterious legacy that causes him to re-think his current situation in life.

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The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?